Showing posts with label dv. Show all posts
Showing posts with label dv. Show all posts

Rode NTG2 Condenser Shotgun Microphone Review

Rode NTG2 Condenser Shotgun Microphone
Average Reviews:

(More customer reviews)
I purchased the NTG-2 as a voiceover mic to use for audiobook production and VO recording. I'm running the mic through the preamps on an M-Audio ProjectMix I/O and into Pro-Tools M-Powered 8. I run the incoming signal through the Waves SSL Channel plugin for some light compression, and that's it. I rarely need to EQ.
The resulting tone is clean and clear without being too intimate. If I get too close, it tends to get a little boomy and the low-mid ranges are a touch muddy. However, if I position the mic about 12-18 inches from the mouth of the VO artist, and slightly above the axis of the mouth, the sound quality is stellar. On male voices, in particular, the mic lends a depth and warmth that is often desirable for certain types of voice work. As would be expected with a mic of this type, the proximity effect is fairly pronounced.
Being a shotgun mic, it does an excellent job filtering out much of the background noise if your space is not sound-proof. (For instance, I'm using a small booth in which one wall is an exterior wall with very little sound insulation. Even when cars and trucks drive by, the mic won't register the sound.) It's an excellent choice for small project studios in homes. The mic does a good job of not catching every single saliva slurp or tongue noise while keeping the voice sounding natural.
The included wind screen is a little on the wimpy side, and it's unfortunate that the mic doesn't come with a shock mount...but that's not uncommon for mics in this price range. Likewise, I wish the mic had come with a decent hard case rather than the pleather zippered pouch that comes with, but again, that's not uncommon in this price range.
I've used four very different mics for VO work: a Studio Projects C100 Large Diaphragm Condenser, an AKG C1000 small diphragm condenser, a Heil PR40 Large Diaphragm Dynamic, and the Rode NTG-2. I was using the Heil almost exclusively until I got the NTG-2. Now this is my first-call mic for 80% of my VO sessions. For the price, it really can't be beat for high-quality spoken word recording.
Pros:
* Great Mic for the Price
* Narrow Pickup Pattern to reduce noise
* Clean and clear tone
* Natural sound
Cons:
* Can get a little boomy in low-mid ranges if speaker is too close
* Pronounced proximity effect
* No shock mount/case included


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Panasonic Pro AG-DVC20 3CCD MiniDV Proline Camcorder w/10x Optical Zoom Review

Panasonic Pro AG-DVC20 3CCD MiniDV Proline Camcorder w/10x Optical Zoom
Average Reviews:

(More customer reviews)
Okay, first and foremost, this seems to be the camera everyone forgot, including Panasonic. Go to their website and venture to the comparison page, and it's like no one bothered to fill out the spec sheet. For weight, dimensions and pick-up device it has "N/A."
If you go online and search for reviews of this camera there is no shortage of criticism from the pro set, faulting it for not having this feature or that, but once you do the research the cameras that have those features cost about a grand to two grand more!
Ironically, this undeserved disdain and neglect seems to have resulted in a real deal, both affordable and versatile. It has less features than some professional cameras and more than most consumer cameras. It works great with iMovie on my MacBook Apple MacBook MA701LL/A 13.3" Notebook PC (2.0 GHz Intel Core 2 Duo, 1 GB RAM, 120 GB Hard Drive, DVD/CD SuperDrive) - Black and has been a great way for me to familiarize myself with shooting in general. All you need is a firewire cord like this one and you're good to go.Belkin F3N401-06-ICE IEEE 1394 4-Pin/6-Pin 400 Mbps FireWire Cable (6 Feet)
It is not HD, but neither are 99.9% of the places it will be played.
Maybe as I learn more I'll become more aware of its limitations and my opinion will change and, yes, the lens is smaller than I'd like, but the 3CCD makes a huge difference in the colors and contrast.
One thing to bear in mind, this is a great piece of equipment for someone who works with professional directors and videographers, but in no way a replacement for such skilled and outstanding professionals. Basically, if you're a director or videographer you'll want a far more serious piece of equipment, but if you're a writer or art director who just wants a firmer grasp of the shooting process this is the camera for you!
All in all, it's a great to learn on and great for the price. Not a bad combination at all.
Here's the kit I've put together to go with it:
Case - Panasonic Pro Soft Carrying Case for DV60 & DVC7 Camcorders
Wide Angle Lens - Panasonic Pro AG-LW4307 Wide Angle Lens Adaptor 7x for AG-DVC7/30/60 Camcorders
Tripod - Sunpak UltraPro 757 Full-Size Tripod with Extra Quick-Release Plate (Satin Silver)
Tripod Case - Sunpak 620-770-AZ Unpadded Tripod Carrying Case
Microphone System - Azden WMS-PRO Wireless Microphone System
Camcorder Light - Sima SL-10LX Universal LED Camcorder Light
Studio Light -Photography Studio Continuous Umbrella Light Kit with Free 26w 5500k Fluorescent Photo Light Bulb

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The AG-DVC20 combines a 3-CCD optical system, Advanced Color Pure Engine digital processing and easy One Touch navigation. It features convenient shoulder-held design, fingertip zoom control, a bright 2.5LCD monitor, a 10X optical zoom lens with a digital zoom function that provides ultra-zooming all the way up to 500X and it weighs just 4.4lbs.

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