Showing posts with label digital camera. Show all posts
Showing posts with label digital camera. Show all posts

Samsung EV-NX100 14.6 MP Digital Camera with 20-55mm Zoom Lens Review

Samsung EV-NX100 14.6 MP Digital Camera with 20-55mm Zoom Lens
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This is a nice little camera. It is no DSLR, but it has LOTS of features. The iLens is a handy feature when you'd like to have control of your lens and pictures. The only downside is the noise in the higher iso range compared to similar cameras. I like the versatility of the lenses. they are all superb quality. The form factor is a little awkard but you get use to it. The on/off switch is in an inconvient position just wonder how it will hold up over time. The battery door is also a little flimsy also concerned about durability, but over all this is a nice alternative to a quick shoot when you don't won't to drag around a full sized DSLR. I am having fun with the camera and can't wait to try out new lenses. The iLens future is superb!


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Hybrid with expanded lens system

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Sony Cybershot DSC-H9 8MP Digital Camera with 15x Optical Image Stabilization Zoom Review

Sony Cybershot DSC-H9 8MP Digital Camera with 15x Optical Image Stabilization Zoom
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I bought this camera because the technical specs appealed to me. But when I read all the critical comments I was beginning to feel I made a mistake.
Some critics claim that certain features were missing in the H9 that were listed in the specs before the camera was released. No doubt, that's not cool. Also, I haven't figured out how to set ISO levels. Probably I never will because the H9 insists of doing it for me. And then there is the lack of RAW storage.
I have all these features in other cameras I own. And although it's nice to know it's all there if I want it, I have to admit I don't use these features all that often.
As other bridge cameras with advanced features, the H9 caught the attention of many people in the upper segments of the market who then were dismayed to discover its technical parameters.
On the other end of the spectrum, the H9 may be a bit too sophisticated for the point-and-shoot crowd to take full advantage of what it is capable of. The fact that the manual is almost unreadable doesn't help.
Now to the good part:
1. I haven't had that much fun with a camera in a long time. The H9 is light enough to accompany me almost everywhere, and I get a lot of terrific shots that I used to miss out on because I didn't feel like dragging around my heavy equipment. Because it is a super zoom, no shots are lost because I have to change lenses.
2. The macro function is nothing short of sensational.
3. I have been able to take amazing shots with the lens all the way out to 480.
4. The H9 is fast - no shutter delay and super fast storage of images
5. No matter what I throw at the H9, it seems to handle it beautifully. I am sure I will figure out its limitations
as I go along and learn to respect them. The more I get to know this camera, the more it grows on me.

6. The large semi-flexible screen is a real plus, particularly for candid shots.
Well, as this generation of super zooms go, the plusses more than outweigh the minuses.


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Panasonic Lumix DMC-GF3 12.1 MP Micro Four Thirds Interchangeable Lens Digital Camera with 3-Inch Touchscreen and 14mm F2.5 ASPH Lens Review

Panasonic Lumix DMC-GF3 12.1 MP Micro Four Thirds Interchangeable Lens Digital Camera with 3-Inch Touchscreen and 14mm F2.5 ASPH Lens
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This Panasonic GF3 is a rather impressive camera that can take VERY sharp pictures with really good IQ/Dynamic range, and color overall. Besides my love for Photography I also enjoy using the best of the best cameras in their category if I can afford them. I have owned, or own the Canon S95/Fuji X100/ Sony NEX-5, Had the original E-P1, Had the GF1 prior.
I have been searching forever for a VERY SMALL camera that can take DSLR like pictures. Though the GF1 did have a little bit more manual control than the GF1 does, for instance even flash compensation..I can't seem to find that adjustment on this GF3. Even cheap point and shoots often let you change the amount of flash you will use, That's one con here.
Overall though, though using the same sensor as the older GF1 and GF2 my pictures from my GF3 look BETTER overall as to color, noise, IN focus, virtually no Moire pattern problems..the GF1 had a lot of Moire pattern noise, the GF3 seems much cleaner.
The GF3 has something called pinpoint focus. It works GREAT and so super fast. You choose ANY point on the lcd you want to focus on, drag the POINT where you want it. Press the shutter 1/2 way down..you can focus on just an eye or any small spot you like. The screen will first show you an enlarged view so you KNOW you have perfect focus..that's a great plus being able to have picture after picture IN focus. Also depending upon what focus mode you choose the focus speed is rocket fast on this camera and usually quite accurate. Pictures outdoors look as good as a high quality DSLR as to overall dynamic range, very little highlight clipping, color..and the 14 mm lens has virtually no purple fringing. The reason for just four stars is though the GF3 is pretty good up to 800iso ..you still see a bit too much noise and yellow splotches on jpegs indoors unless the light is rather bright or you use 400 iso and under. It's too bad there's no in camera image stabilization like Olympus does..another con if you are using the 14mm lens or the 1.7 aperture lens here. My Fuji x100 can use iso 2000 in poor light and still look amazing. BUT the x100 has a full sized sensor and is a fixed lens camera..and it's much more expensive and larger than the GF3, so not a fair comparison.
Overall as to overall picture quality, SMALL FORM factor, this camera with LARGE sensor is almost the exact same size as the Pana LX5 which I also own...you just can't beat the GF3 overall,as far as the camera you CAN take with you..vs some bulky heavy camera that will drag you down.
I have not used the video function as it is not important to me so I can't comment about that.
I like the pictures from this GF3 overall a bit more than my NEX-5 because the NEX-5 pics to me all look all a bit too soft..it mis focuses too often..and NEX color seems a bit too saturated..(Just not right). That said, the NEX5 blows away the GF3 on high iso..hence it depends how you are going to use your camera most.
Overall..I think most people will really like the GF3. Sure if you NEED a hot shoe..obviously it doesn't have one. For me if I'm going to use a hot shoe..It's going to defeat some of the SMALL factor, so why bother with a small camera like this in the first place. I applaud Panasonic for getting most things right here. The touchscreen works just fine, you just need get used to it. It's 2011..maybe this will be the way of the future, change is often painful..:)
Overall..this is an excellent camera..maybe a tad overpriced I feel..but an excellent camera on most points.


Click Here to see more reviews about: Panasonic Lumix DMC-GF3 12.1 MP Micro Four Thirds Interchangeable Lens Digital Camera with 3-Inch Touchscreen and 14mm F2.5 ASPH Lens

Panasonic's LUMIX DMC-GF3 realizes all the features you want from a bulky DSLR interchangeable lens camera, only it accomplishes this in an ultra compact point-and-shoot camera body about as wide and tall as a typical smart phone yet is lightweight and simple to master. This remarkable reduction in size and weight is thanks to advancements in new mirror-free camera technology, and large DSLR format sensors that are more compatible with a new class of compact Micro Four Thirds (MFT) System lenses. This new class of Compact System Cameras (CSC) offers a weight and compactness not seen in traditional DSLRs, yielding greater portability and creative control. The DMC-GF3's image quality comes from a large DSLR-sized 12.1-megapixel sensor and newly advanced image processing technologies. The DMC-GF3 provides a traditional DSLR-like experience without the need for complicated external mode dials, yet provides intuitive and quick access to common modes like Program, Shutter and Aperture Priority, Manual via a touch-enabled LCD that operates much like a smart phone. The DMC-GF3 provides a dedicated video button that can be used to switch to video capture quickly without changing modes. At the heart of the DMC-GF3's simplified functionality is a large 3.0-inch LCD (460k- dot) that allows for intuitive touch control of menus and most shooting, focusing, playback and effects controls. Menus can be customized using simple drag-and-drop actions like those on most touch-enabled smartphones. This allows for a custom user interface, giving Quick Menu access to functions that can be tailored to any user's expertise level. Using the touch-screen operation, a user can lock onto a subject, enabling AF Tracking in both still and video modes. When you're ready to shoot, the subject will be in focus and ready to capture.

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Pentax SMC DA* Series 16-50mm f/2.8 ED AL IF SDM Wide Angle Zoom Lens for Pentax Digital SLR Cameras Review

Pentax SMC DA* Series 16-50mm f/2.8 ED AL IF SDM Wide Angle Zoom Lens for Pentax Digital SLR Cameras
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If you've read my previous reviews, you know that I'm a retail camera salesperson. I get to use a wide variety of equipment, but I'm a bit picky on what I buy myself. I own this lens.
I couldn't be more pleased with this lens for my K10D. The images are crisp at all focal lengths and apertures. The focusing is both fast and smooth. (Note: it will require updating to firmware version 1.3 for the K10D to autofocus properly.) Build quality is top-notch, and the weather-proofing is nice, although I doubt I'll test that often.
Pentax has also equiped this lens with the older drive system, so that it can be used on older digital cameras, but the noise level goes up, and the AF performance, while decent, goes down.
This is an amazingly good deal compared to either the Canon or Nikon lenses in the same range. The Nikon has about the same build quality, but costs considerably more. The Canon has the IS system built into the lens (not necessary with Pentax); therefore, it costs about the same as the Nikon. A very good lens, it still doesn't have the build quality "feel" of the Pentax nor Nikon. Additionally, the 16mm makes the Pentax a bit wider, a big advantage for my type of shooting.
Simply put, without this lens, I'd be shooting Nikon.

Click Here to see more reviews about: Pentax SMC DA* Series 16-50mm f/2.8 ED AL IF SDM Wide Angle Zoom Lens for Pentax Digital SLR Cameras

Designed for exclusive use with Pentax digital SLR cameras, the Pentax DA* 16-50mm f/2.8 wide-angle zoom lens is a terrific choice for landscapes, portraiture, and just about any other application. The lens features a tightly sealed, weather-resistant and dust-resistant construction to enhance durability in rainy or dusty conditions. The lens's three aspherical elements and two special optical glass elements, meanwhile, help compensate for chromatic and spherical aberration, producing images with superior contrast, clarity, and edge-to-edge sharpness. And thanks to the lens's Pentax-original Quick-Shift Focus System, you can easily and instantly switch from autofocus to manual focus.
Specifications
Focal length: 16-50mm
Maximum aperture: f/2.8
Minimum aperture: f/22
Lens construction: 15 elements in 12 groups
Angle of view: 83 to 31.5 degrees (when used with Pentax digital SLR camera body)
Number of diaphragm blades: 9
Metering system: TTL open-aperture metering
Minimum focusing distance: 0.3 meters
Maximum magnification: 0.21x
Filter size: 77mm
Corresponding AF mounts: Pentax KAF2
Dimensions: 3.3 inches in diameter and 3.9 inches long
Weight: 19.9 ounces (without hood)
Warranty: 1 year


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Panasonic Lumix 14mm f/2.5 G Aspherical Lens for Micro Four Thirds Interchangeable Lens Cameras Review

Panasonic Lumix 14mm f/2.5 G Aspherical Lens for Micro Four Thirds Interchangeable Lens Cameras
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When I first opened the box for this lens and pulled it out I couldn't believe it. It is unbelievably small which is a big reason for me purchasing this lens. The front lens cap is thinner than the one on the 20/1.7 and the rear lens cap is also thinner making the whole package even smaller. After reading reviews stating that this lens is a compromise with heavy vignetting I wasn't sure what to expect. Well, all I can say is that this lens is sharp. In the center of the frame it appears as sharp as my 20/1.7. On the edges maybe just a tad less sharp but not by much. As to vignetting, maybe a little but barely noticeable and only in some pictures of blank walls. It's a non issue. I am very happy with the image quality and when I look at this lens on the front of my E-PL1 I just feel amazed at the small size. This lens, coupled with my Panasonic 20/1.7 and a Voigtlander 40/1.4, makes the most wonderful compact kit that I have ever owned and that is the main reason why I converted from my Nikon to the micro 4/3 system. Would I like it if this lens was faster? Sure I would but then it would be bigger. Personally I say bravo to Panasonic for this lens.

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Panasonic 14-140mm f/4.0-5.8 OIS Micro Four Thirds Lens for Panasonic Digital SLR Cameras Review

Panasonic 14-140mm f/4.0-5.8 OIS Micro Four Thirds Lens for Panasonic Digital SLR Cameras
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I use this lens on my GH1 and sometimes on my E-PL1 and it's simply fantastic. The fact that it gives you such range and operates silently when you want to take movies is a great combo.
It's been rated to be among the best in super zoom lenses equal or better than the top offerings from Tamron and certainly better than the Nikon and Canon equivalents according to DPReview. From my real world results, I have to agree 100%.
I do wish it was a little lighter, but it's still not bad carrying it around all day. I've traveled with it twice so far and it covers every length you could want and delivers great quality. Remember to use the provided lens hood or else you sacrifice a certain amount of contrast in your photos. Most people don't realize the hood is not just to help flare and slam the lens for their own mistakes.
If you have a Panasonic m43 body, this lens is a no brained because of it's in lens IS. On Olympus bodies it's equally great because you can choose either the lens IS or the in body IS.

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The Panasonic Lumix Vario 14-140mm/F4.0-5.8 Aspherical Lens supports the continuous AF/AE function of the contrast AF system for both photos and movies. In addition, thanks to an inner focus direct-drive linear motor, this lens enables smooth, silent operation of its fast and accurate focusing. When recording still pictures, this lens also supports an AF Tracking, a Face Recognition function and more, for more convenient, more enjoyable shooting.

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Panasonic Lumix DMC-GF3 12.1 MP Micro Four Thirds Interchangeable Lens Digital Camera with 3-Inch Touchscreen and 14mm F2.5 ASPH Lens Review

Panasonic Lumix DMC-GF3 12.1 MP Micro Four Thirds Interchangeable Lens Digital Camera with 3-Inch Touchscreen and 14mm F2.5 ASPH Lens
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I am impressed with Panasonic's innovation of virtually no physical buttons and touch screen menu operation. I personally prefer buttons but this will be some getting use to. If you have used Panasonic camera's in the past there's should be no issues with its cumbersome menu. I give it 4 stars for not having some important physical buttons and the same long drawnout menu schema from the past. Overall a great camera as far as IQ is concerned.

Click Here to see more reviews about: Panasonic Lumix DMC-GF3 12.1 MP Micro Four Thirds Interchangeable Lens Digital Camera with 3-Inch Touchscreen and 14mm F2.5 ASPH Lens

Panasonic's LUMIX DMC-GF3 realizes all the features you want from a bulky DSLR interchangeable lens camera, only it accomplishes this in an ultra compact point-and-shoot camera body about as wide and tall as a typical smart phone yet is lightweight and simple to master. This remarkable reduction in size and weight is thanks to advancements in new mirror-free camera technology, and large DSLR format sensors that are more compatible with a new class of compact Micro Four Thirds (MFT) System lenses. This new class of Compact System Cameras (CSC) offers a weight and compactness not seen in traditional DSLRs, yielding greater portability and creative control. The DMC-GF3's image quality comes from a large DSLR-sized 12.1-megapixel sensor and newly advanced image processing technologies. The DMC-GF3 provides a traditional DSLR-like experience without the need for complicated external mode dials, yet provides intuitive and quick access to common modes like Program, Shutter and Aperture Priority, Manual via a touch-enabled LCD that operates much like a smart phone. The DMC-GF3 provides a dedicated video button that can be used to switch to video capture quickly without changing modes. At the heart of the DMC-GF3's simplified functionality is a large 3.0-inch LCD (460k- dot) that allows for intuitive touch control of menus and most shooting, focusing, playback and effects controls. Menus can be customized using simple drag-and-drop actions like those on most touch-enabled smartphones. This allows for a custom user interface, giving Quick Menu access to functions that can be tailored to any user's expertise level. Using the touch-screen operation, a user can lock onto a subject, enabling AF Tracking in both still and video modes. When you're ready to shoot, the subject will be in focus and ready to capture.

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Panasonic Lumix DMC-GH2 16.05 MP Live MOS Interchangeable Lens Camera with 3-inch Free-Angle Touch Screen LCD and 14-42mm Hybrid Lens (Black) Review

Panasonic Lumix DMC-GH2 16.05 MP Live MOS Interchangeable Lens Camera with 3-inch Free-Angle Touch Screen LCD and 14-42mm Hybrid Lens (Black)
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Now I know that is a bold statement and I intend to back it up. However, before I do I need to explain what I mean. I am not saying this camera is the best at everything or even anyone thing. Cameras that are the best at something are usually specialized beasts that can really only do that one thing well. What I am talking about is a camera the is so good in so many categories that it can joyfully be used for just about and photographic or video graphic purpose you may have. The GH2 is that camera.
Now that is out of the way we can get to the meat and potatoes of the review. I shoot mostly Nikon and Panasonic and I primarily shoot stills. I dabble in Video but do not proclaim myself any sort of an expert. I can say if you are looking for the best handling combo/cam with the most features then the GH2 is the one you want. Panasonic went out of its way to make this a video camera so that was its primary focus with this camera. However, there are lots of payoffs for the stills part of this camera so this is the best m4/3 stills camera by a long shot also. I will also say that the hard core video market is a niche market compared to the stills market because shallow depth of field video is hard to shoot properly and hard to edit. The average home user has neither the time nor inclination to properly storyboard and shoot this type of video. However, with that said, it is really nice to be able to shoot stills and video. And basic home videos are a snap to shoot with this camera; much more so than any other DSLR with the exception of the Sony SLT A55/33 which at least has a fast auto focus also. To shoot nice home movies, put the mode dial to iA, press the red button, and you are shooting video.
This camera is the next generation of cameras as it successfully blends the advantages of Point and Shoot cameras with the benefits of DSLRs and creates and incredibly small and powerful camera. Listed below are some of the benefits and weakness you get from this next gen camera.
What's Hot
The handling on the GH2 is bar none the best handling "DSLR" on the market. WIth smart controls, great layout, fast autofocusing, swivel screen, full time double live view, etc. Even with how good the D7000 is, it still feels clunky after using the GH2. I get into most of the details of this down below so I don't want to repeat the info here. What I will say here is that you can do things with this camera you couldn't hope to do with DSLRs and you can generally set up your photo parameters much faster with this camera. The menus on the GH2 are not very good. However, the actual camera controls are so good you will rarely even need to use the menus.
Program Shift - Forget using Aperture priority with this camera. You can leave the camera in Program mode. With program shift you can change the aperture setting and thus the shutter speed while in program mode. To do this you press the shutter release button down half way to set the exposure. Then if the numbers are in yellow you just rotate the rear dial switch to change aperture. Want a shallower depth of field or faster shutter speed, then dial in a bigger aperture (smaller number). If the numbers are not in yellow then you are currently in exposure compensation mode. All you have to do is click the rear dial switch and then rotate it. Snap. What a neat feature.
Extra Tele Convert (ETC) Mode in Video - If you shoot video you are going to love this. This is even great for home/casual video shooters. The GH2 has a 16mp sensor but like every other consumer combo/cam shoots 2K video. That means the picture is usually down-sampled to make it 2K. This has some pluses and minuses. Enter the GH2. With the ETC mode the camera uses only 2K of the sensor. This gives you an extra 2.6x crop factor. Which means your total crop factor is now 5.2x. So that brand spanking new 100-300mm you just got is now 520-1560mm with no light loss. If you put a Nikon 135mm f2 then you now have a 702mm f2! lens for video. There are some drawbacks for using ETC also but they are pretty negligible.
Auto focus - the auto focus on the GH2 is twice as fast as the GH1 and the GH1 was the fastest of previous generation. I have seen some very knowledgeable photographers saying it is as fast as mid-level DSLRs. While I think it is supposed to be a complement I don't think it is a very good comparison. I find the focus speed of DSLRs has most to do with what lens you have on. There are some lenses that focus slowly on even a D3. All of the lenses I have used on the GH1 focus very quickly except the 45-200mm. That lens tends to be my slowest. Non of the lenses I have focus as fast as a 70-200mm f/2.8 but the rest of them focus as fast if not faster than any of the other Nikon lenses I own. The best I can say about this is that you won't notice the focus speed on the GH2 as it is fast enough to get out of your way.
Smaller lighter camera - I recently went on a trip to Egypt and carried nothing but my Panasonic gear. Two camera bodies, 5 lenses, 1 flash, an iPad, and camera bag. Total weight 10lbs (3lbs of that was the bag itself). My Nikon D300 and 14-24mm lens would have weight more just by themselves (I was carrying the Panasonic 7-14mm so I did have wide covered)
Swivel Screen with full-time live view - You won't know what you are missing until you become used to this and how well it works. Want to reach up as high as you can and shoot down; No problems. Want to get as low as possible but can't lay down in the mud or water; No problem. Want to take a picture of you and your daughter but there is nobody around; No problem. Turn the screen around aim the camera at you and use the screen to frame. Something that makes photos interesting is showing the viewer something from a perspective they don't often see. The swivel screen actively encourages this. The other thing the swivel screen does is make shooting from a tripod a joy. Because of how small and light this camera is you can use a much smaller tripod. I have a 3lb tripod that can support 7lbs. Also, you can now set you camera up in all sorts of whacky positions and just rotate the screen to be able to frame and focus. Very nice. Also, with no mirror to flip up you don't have to worry about any vibrations.
Touch Focus implemented as slick as on the iPhone. As I mentioned above you can shoot from many strange angles because you can swivel the screen to almost any angle. However, if the camera did not focus on what you wanted it would be hard to change it. Now you can simply touch the screen on what you want to focus and presto it will focus on that. The GH2 is worth the price just for that.
WYSIWYG - What you see is what you get. Since you are looking at either the screen or the beautiful EVF, you are seeing what the sensor sees. With a DSLR you are seeing what the lens sees. This is an important difference. If you forgot to reset your WB or Aperture or any camera setting, you will see it before you shoot. On a DSLR you would have no idea until you looked at the pictures. Also, if it is a low light situation, the EVF will start to noise up and start to lose some of its smoothness. This is a warning to you that you need to use flash or a tripod. With a DSLR the viewer becomes darker but you don't get a very good visual cue of how your camera is seeing it. For me the most brilliant thing with WYSIWYG is setting exposure. Because I can see what the camera is doing with exposure, I usually leave the camera in P mode. Then I change the exposure by changing where I aim the camera, lock the exposure and then reframe for the subject. It works something like this. I am trying to take a picture of a person but the exposure is picking up to many bright objects, thereby dimming my subject. So, I aim the camera to include more dark areas while keeping my subject in the shoot. Then I press the shutter release button down half way to lock the exposure and focus. Then I reframe back to the original photo. This works so quickly you can try several exposures in less time than you could set one with the exposure compensation dial (which is actually exceedingly well executed on this camera also.) In a DSLR, since you don't see the exposure, you are just basically guessing at what you want and then shooting, view the photo and fix. Much slower.
Shoot about any lens you want - The distance from the lens to sensor is so short, that with the appropriate adaptor, you can put just about any lens you want on this camera. Canon, Nikon, Leica, Voigtlander, Pentax, Sony, you can use them all. Generally you need to use lenses which have aperture rings. Additionally, you do lose autofocus but there are many instances where this just doesn't matter. Macro photography is a good example. You can fit a Nikon 200mm f/4 onto the GH2 and then either get a 2:1 reproduction or a 1:1 reproduction with twice the depth of field. It is like putting on a teleconverter without the loss of light and depth of field. Brilliant.
Great for Newbies - All DSLRs are easy for anyone to use and the GH2 is no exception. The great handling makes the GH2 better for newbies in my opinion. Anyway, all you have to do is put the camera into iA mode and start shooting. This camera gets the subject correct more often then not and will make you look good. In dynamic situation, I actually use the iA mode quite a bit. I do this because the camera is good a recognizing as scene as a person, flower, scenery, etc. The camera then instantly sets numerous setting to make that scene look as good as possible. If you tried to do it yourself it could take a few minuets to set and then a few to set back. Or even worse you forget to reset it and you next pictures look bad. If I have time,...Read more›

Click Here to see more reviews about: Panasonic Lumix DMC-GH2 16.05 MP Live MOS Interchangeable Lens Camera with 3-inch Free-Angle Touch Screen LCD and 14-42mm Hybrid Lens (Black)

Touch-screen convenience with SLR-quality photos is in your hands thanks to the Panasonic DMCGH2KK digital camera. The 3.0" viewscreen puts controls and even shutter control right at your fingertips, while the 3/4 micro SLR style camera brings bright colors, smooth images, high contrast, and fast shutter speed into focus. Intelligent Auto settings let you find your shot while the camera takes care of the rest.

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Panasonic Lumix DMC-GF2 12 MP Micro Four-Thirds Interchangeable Lens Digital Camera with 3.0-Inch Touch-Screen LCD and 14mm f/2.5 G Aspherical Lens (Black) Review

Panasonic Lumix DMC-GF2 12 MP Micro Four-Thirds Interchangeable Lens Digital Camera with 3.0-Inch Touch-Screen LCD and 14mm f/2.5 G Aspherical Lens (Black)
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Traditonal DSLR or Mirrorless?
Let me start by saying I think traditional Digital Single Lens Reflex (DSLR) will be in serious decline over the next few years. With an electronic viewfinder and high speed contrast autofocus mirrorless cameras will match the performance of their traditional dslr counterparts at the same format size. They will also offer benefits that can't be matched in a traditional dslr in terms of size, weight, and lens cost. The lens cost advantage comes from not being constrained to have light hit the sensor without distortion, as the distortion can be corrected digitally without any loss. The 14mm lens here is a perfect example. It is very small, light, and relatively cheap. With this lens if you took a picture of a rectangular grid and looked at the unprocessed raw file you'd see the grid lines bend in an arc, but you'll never see that lens distortion because the processed raw files, in camera jpegs, and view screen automatically adjust and bring the distortion back to imperceptible. If size and weight of camera and lenses aren't a factor for you then a traditional dslr from Canon or Nikon or one of the others may be a better choice for you. I've always thought the best camera is the one you have with you, and you are more likely to have the mirrorless camera with you because it is smaller and lighter.
Which Mirrorless System?
So if you want to get into Mirroless which system should you go with? Currently there are three choices. Sony's NEX system, Samsung NX system, or Olympus & Panasonic's micro 4/3 systems. The Sony and Samsung systems use the aps-c image sensor size that traditional dslrs use but use incompatible mounts. That large image sensor means they will have great low light performance, but each of those two systems have a single manufacturer and a limited set of lenses. What's the point of having replaceable lenses if you don't have a good selection of lenses to choose from? Micro 4/3rds by contrast has been around longer and has two camera manufacturers dedicated to the format and more lens manufacturers. Both Olympus's and Panasonic's mirrorless camera linueps are larger than either Sony's or Samsung's, while their lenses are compatible. So with micro 4/3rds you avoid vendor lock in while getting a much larger selection of cameras and lenses. The only downside to the micro 4/3rds format is the image sensor is a little smaller than aps-c, which results in less optimal low light performance that is noticeable at high iso values. The GF2 for instance gets noticeably grainy at ISO 1600 and above, while the GF2 and G3 do a little better at high iso their performance is still only as good as the most basic canon or nikon models.
Which Micro 4/3rds Camera?
If you are looking for a more traditional dslr like performance and shape the Panasonic G3 is a good intro level camera with quite impressive performance in a relatively small package and the GH2 is a great camera capable of recording broadcast quality hd video. Olympus doesn't make a pro pro-level dslr like micro 4/3rds yet. They do make a traditional 4/3rds camera but it is generally considered overpriced and it won't work with the micro 4/3rds lenses. Keep an eye out because Olympus will likely introduce a micro 4/3rds dslr style camera at some point in the future.
If you are looking for a smaller rangefinder style camera to save even more space and weight Olympus offers the EP1, EP2, EPL1, and EPL2 and Panasonic offers the GF2. You could also pick up a Panasonic GF1 on ebay as it is now discontinued. None of these come with a viewfinder, but they all have an optional viewfinder you can put in the flash hotshoe area instead of a flash. Olympus' also offer a bluetooth module that can be inserted in the flash hotshoe to sync with your computer and social media. And of course you can use the flash hot-shoe for an actual flash.
An interesting thing to note about Olympus is none of their lenses have in-lens image stabilization and instead rely on in-camera image stabilization. This means any lens used with their cameras, including the pancake primes, will be stabilized regardless of the lens. It also means any of their lenses, like their very nice collapsible zoom lenses, used with a Panasonic camera will work fine but won't have image stabilization. The GF2 is the smallest of the lot, has a built in flash (some of the Olympus lineup don't), and has probably the best kit lens. What you give up with the GF2 compared to the other rangefinder style cameras is a physical control wheel, external mic port, in body lens stabilization (they rely on in lens stabilization for lenses that support it), no remote trigger support, and well not much else. The GF2 is amazing! I don't know how they fit all that performance in such a tiny package. Some GF1 users have complained about the removal of the wheel and move to more controls via the touchscreen interface. I was a little nervous about that too, but after having used the camera for a few months I can say the touch screen is brilliant. They still have some nice physical controls on the back and 3 buttons on the top and I've never once thought to myself "I wish there was a button or wheel for that" when doing something via the touchscreen in conjunction with those physical buttons. It's a well though out interface. Of course I'm the kind of guy who hasn't bought the optional digital viewfinder either, so your mileage may vary.
A note on select micro 4/3rds lenses:
Panasonic 14mm f/2.5 - I've read all the reviews and lived with this lens awhile and I have to say I love it. With this lens on the GF2 I can fit the camera in my pocket, and regularly walk around with the camera in my pocket on days I plan to take a lot of photos. It does bulge quite a bit in my pocket, and with some pants it is even a bit of a tight fit, but it is very doable. On my recent trip as a tourist to Boston I threw this comfortably in the front pocket of my dockers and wandered around town getting great images and didn't have to carry it on a strap around my neck or in a backpack. With some of my tighter fitting jeans I'll find myself putting it in my pocket when walking around and taking it out and setting it on the table or ground when I sit down so I'm more comfortable. It's not quite a compact camera and some people may decide it's too big to carry in their pockets, but for me it crossed the line to pocketable. The performance is quite good too, crisp sharp images across the range. The Panasonic 14mm is 28mm equivalent in 35mm film terms, so it's a nice wide angle lens but not so wide you can't use it for normal street photography. The only downsides to this lens are that you can get a wider aperture with the 20mm lens, and there is no in-lens image stabilization.
Panasonic 20mm f/1.7 - This was the kit lens on the GF1 and is still available for purchase on its own. If you don't need to pocket your camera/lens combo this is just a smidge larger than the 14mm. For that smidge extra size you get a prime lens (20mm) that is a smidge better for a lot of situations, has a smidge better sharpness, and most importantly a noticeably wider aperture. The 20mm lens is loved by all who use it.
Panasonic 14-42mm f/3.5-5.6 - You can get the gf2 with this as the kit lens, and it's available as the kit lens on the G2/G3/GH2 as well. It's main advantages are that it is cheap, performs pretty well in most situations, has a range useful for most situations, and has in lens image stabilization. However, at 14mm it isn't as sharp as the 14mm prime and doesn't have as large of an aperture. It's also just a little less sharp at every setting than the older 14-45mm it replaced. It also has lower build quality with less metal and more plastic components compared to the old 14-45mm. It is $150 cheaper than the old 14-45mm lens.
Panasonic 14-45mm f/3.5-5.6 - No longer available as a camera bundle this lens is a great all rounder. The specs are almost identical to the newer 14-42mm, but sharpness is a smidge better all around and the build quality is better with more metal and less plastic. The real question you have to ask is it $150 better? I personally decided it was worth it and upgraded to this over the 14-42mm.
Panasonic 45-200mm f/4.0-5.6 - Obviously made to complement the 14-42 or 14-45 lens this is an affordable zoom lens that performs well for it's price.
Panasonic 14-140mm f/4.0-5.8 - If you do casual video like recording your daughters choir performance any of the normal photo lenses are fine and you will get beautiful hd video. However, if you do serious video you need a lens like this. What sets this lens apart are its silent continuous autofocus and ability to do continuous incremental aperture adjustment, all while changing the zoom level. That level of control is the kind of thing you need if you plan to use the GH2 to shoot a professional TV show in hd or to make an indie movie that will be shown at film festivals. If you use this lens just for still photography it probably isn't worth the price.
Panasonic 45mm f/2.8 - we are now firmly out of the intro price lenses and firmly into lenses that cost more than your camera body. But if you do a lot of macro photography or portraits this is a beautiful lens and you do get what you pay for.
Olympus 17mm f/2.8 - Olympus usually makes fine lenses but this is one exception. The 14mm and 20mm Panasonic are sharper, faster focusing, and have wider apertures. The Panasonic 14mm is also smaller. A lot of people with Olympus cameras are mounting the Panasonic 14mm or 20mm to get the Olympus in camera image stabilization with the all around better Panasonic lens.

Click Here to see more reviews about: Panasonic Lumix DMC-GF2 12 MP Micro Four-Thirds Interchangeable Lens Digital Camera with 3.0-Inch Touch-Screen LCD and 14mm f/2.5 G Aspherical Lens (Black)

The Lumix GF2 is Panasonics signature DSL Micro Compact system camera in its mirrorless line-up, as it it's the smallest and lightest model offered by Panasonic, while still offering the superb image quality expected from Lumix. The GF2 has been "future-proofed" with its support for 3D shooting while not compromising ease of operation or image quality. 3D shooting can now be easily accomplished with the addition of Panasonic's new 3D interchangeable lens (Lumix G 12.5mm / F12). Images can be printed in 2D or 3D and can be easily displayed on Viera 3D TVs for in home enjoyment. (MPO 3D file format can be displayed on most 3D compatible TV brands)

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Canon EOS Rebel T2i 18 MP CMOS APS-C Digital SLR Camera with 3.0-Inch LCD and EF-S 18-135mm f/3.5-5.6 IS UD Standard Zoom Lens Review

Canon EOS Rebel T2i 18 MP CMOS APS-C Digital SLR Camera with 3.0-Inch LCD and EF-S 18-135mm f/3.5-5.6 IS UD Standard Zoom Lens
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Excellent camera, though a bit expensive - worth every penny.
Pros:
- The 18-135mm lens is a nice upgrade to the standard kit 18-55mm lens. Especially if this is your first DSLR, and you don't want to spend more money on lenses. It is also good for trips, taking pictures of kids, or in any other situation where you don't want to change lenses. (And you save about $100 when purchasing this kit, compared to body + 18-135mm Canon lens).
- Performance. Minimal shutter lag, good low-light performance, nice video.
- Relatively light (about 1 kg / 2 pounds with lens), again good for trips.
Cons:
- Price
- Built-in flash is not so great. Also when taking pictures on wide angle setting, lens creates a shade.
- No autofocus when zooming while taking video, pressing shutter button half way focuses the picture.
- Focus in live picture mode is slow (even slower than on most point and shoot cameras)
Other Recommendations:
- Make sure to get UV filter (mostly for protecting the lens), and a spare battery (I've got the Opteka one for ~$13).


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Lensbaby Composer Pro with Double Glass Optic for Nikon Digital SLR Review

Lensbaby Composer Pro with Double Glass Optic for Nikon Digital SLR
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This lens takes some getting used to, both in the focusing and metering. If you can get through the first couple of weeks of practice you can produce some very unique shots. I use this for portraits and landscapes and love it when people ask "how??".
I am a Photoshop monkey, but this lens creates blur that you just can't duplicate. I love it on my D700 and my D70.

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Lensbaby Composer Pro Lens With Double Glass Optic Nikon F - Lensbaby LBCPDGN.

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Olympus E-P2 - Digital camera - mirrorless system - 12.3 Mpix - Olympus M.Zuiko Digital 17mm lens - supported memory: SD, SDHC - silver Review

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Panasonic 45-200mm f/4.0-5.6 Lumix G Vario MEGA OIS Zoom Micro Four Thirds Lens for Panasonic and Olympus Micro Four Thirds Cameras Review

Panasonic 45-200mm f/4.0-5.6 Lumix G Vario MEGA OIS Zoom Micro Four Thirds Lens for Panasonic and Olympus Micro Four Thirds Cameras
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I have five lenses for my G1, but this is my favorite. Overall, it's quite sharp and produces images with an excellent feel to them, particularly for such a comparatively low price.
Initial test reports indicated noticeable softness at 160-200mm, but this appears to have been fixed. One possibility is that the latest firmware may have improved the autofocusing at long focal lengths. This has not been verified by Panasonic, but many owners of new or updated copies of the lens are routinely getting sharper images at 200mm than the early test reports would indicate, so it seems to be the best guess at the moment.
It's important to have realistic expectations for long lenses. If you've never shot with a really long lens on an SLR, it's easy to assume that such a cute little lens will be just as easy to hand hold as its 14-45mm brandmate. It isn't.
At 200mm, it has the same long reach and very narrow angle of view as a 400mm lens on a full frame 35mm. I still have one of those from my film days, and it's 13 inches long, heavy, and almost impossible to hand hold! This Panasonic lens at 200mm is subject to the same laws of physics and optics as those old 400mm bazookas, even though it is so much smaller and lighter.
The optical image stabilization is superb, so you CAN hand hold it in good light, but you need to be well-braced and use good technique, and there's no point in even trying to hand hold it at 200mm at very low shutter speeds. (When I'm shooting at 200mm, I increase the ISO if necessary to make sure my shutter speed is at least 1/125, and I really prefer 1/250 or faster.)
If you've never shot a long tele before, consider using a tripod, turning OIS off, and touching up the autofocus results manually to nail the exact part of the image that you want to be the sharpest. Either that or try to get closer to your subject - sharp hand held shots at 100-150mm are much easier to get.
In summary, this lens is an exceptional value and the zoom range is great for a wide range of subjects, from portraits to wildlife. If you treat it with respect at the long end, you'll get many great pictures with it.

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Panasonic Lumix DMC-ZS8 14.1 MP Digital Camera with 16x Wide Angle Optical Image Stabilized Zoom and 3.0-Inch LCD (Black) Review

Panasonic Lumix DMC-ZS8 14.1 MP Digital Camera with 16x Wide Angle Optical Image Stabilized Zoom and 3.0-Inch LCD (Black)
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For the majority of people looking for a "pocket" camera - they can stop looking. This will honestly do for pretty much everything you really need. It's the newly released little brother to the more expensive ZS10/TZ20.
It is not perfect, of course, but even if you take a "money no object" approach to picking an upper premium compact camera - there is currently nothing on the market that is head and shoulders better than this - although there can always be a case made for different qualities.
Big Zoom - check
Good "glass" on the front - yep, Leica
Optical Image Stabilisation - uh huh, works quietly and efficiently in the background making your shots less blurry.
Good quality photos - sure - but with the caveat that a "full on" digital SLR will always do better. The photos come out are a nice colour (not too vivid - but also not too washed out) and they don't come out a funny colour under artificial lighting (some cameras can struggle and give you a funny tint under striplights or old fashioned tungsten bulbs).
Noise levels - the "speckly" bits on photos that you sometimes get in dark conditions - is definitely there - especially at higher ISO's - but you get this problem in dim lighting conditions even with all compact cameras to a greater or lesser degree. Even if you get an SLR camera - even up to a year or so ago - you'll find that they aren't infallible to this either.
HD Video - check, but in MPEG format. I think that this takes up more space than the newer AVCHD format on the SZ10/TZ18 - but I would be wary of getting a camera that uses this format if you have an older PC or laptop and especially if you have a netbook - in case the hardware can't cope. I guess Windows XP/NT/2000 users should definitely be careful - and to a lesser extent even if you have a Windows Vista machines you might think twice - especially if you are on a laptop where the hardware will always be slower than the equivalent price PC.
I have a mixture of laptops and netbooks running Windows 7 through to XP so didn't want to take the chance - especially as other family members and the kids will probably want to view some of the footage (family and my kids have the older machines whilst dad gets the upgrade LOL).
I do wonder if the AVCHD format on the more expensive ZS10/TZ20 is going to be a bit of an evolutionary dead end - just as BLU RAY hasn't really taken off - even though it's technically better than DVD - most people even if they have a big widescreen TV find that their DVD is fine (probably because the modern DVD players and TV's will upscale the DVD resolution to give a semi-HD picture quality). The ZS10/TZ20 I think gives you the option to record in both (I think I read that somewhere but if this a deal breaker you should check to be sure).
If you only want a great point and shoot camera this is brilliant and has loads of options. Not only that but the options are really well laid out and easy to understand - by which I mean the dials and menus are set out in a common sense fashion and also instead of just little symbols/icons to indicate that you are in portrait mode or landscape mode - there is a little text underneath which tells you what it will do.
I've had a number of Nikon's and Canon's - and for some reason they can still make cameras with menus and buttons that were laid out by Martians - they can be so unintuitive even for people who are really experienced photographers - and you have to keep referring to the instruction book to work out what to press or what menu icon you are looking for - and even then it doesn't stick in the memory because it's all so counter-intuitive.
If you think you might - in a little while - like to step up in your photography later and get a bit more creative - or you are thinking of this a second camera to augment your SLR - then you'll want to know that this has A LOT of manual control thrown in which is pretty unusual in the compact camera class and it has Aperture Priority, Shutter Priority and Full Manual modes which is quite a rarity in the pocket camera class.
If you are an experienced SLR user, I can tell you that the PASM options are pretty nicely implemented. Sensibly placed access buttons (the small round exposure button and Q Menu buttons to the right of the screen do this) and the menus are nicely set up to easily access the bits you want for Aperture / Shutter priority / full manual control. It'll never be as good as your SLR but you can't carry that around with you this easily and it won't shoot HD video either (or probably not unless you have the latest generation).
The 16x optical zoom is class leading. You can get really good close ups if you want to.
You should only compare OPTICAL zoom when you are looking at different cameras and ignore the Panasonic advertising guys (or anybody else )who point to the overall 20x zoom - because if you include the quoted digital zoom - the extra 4x zoom basically just crops your optical zoom photo in camera - and your laptop software will do that - only better - though I guess it might be relevant if you don't want to be doing with all that and just need an "okay" sort of photo).
It also has a really good wide angle lens - 24mm - which basically means you can get more scenery in the shot at the edges. The lower the number the better - and 24mm is currently the lowest I am aware of. The lower the number the more you can fit into the photo - so if you are looking at a nice panorama or want to take a photo with the whole table in the shot - you are more likely to get it with this lens than say if you compared it to other cameras - whose lens might start at 27mm, 28mm, 35mm. This small difference can be the difference between getting everything or maybe not quite getting everything into the shot that you want to.
OVERALL it feels nice in the hand - and it is quite light. It has a cool solid feel metal body and all the buttons and switches feel like they will last.
Of course none of this would be of any use if the photos weren't top notch ... but luckily they are in my opinion. Sure, you can get a little better photos perhaps - but bear in mind if you are reading other reviews - a lot of this is personal preference - like how you like your TV at home to be set up with brighter or more vivid colours or more contrast etc.
In technical terms - compact cameras are never going to match SLR cameras - because their sensors just aren't as big. This is also one of the reasons that you get more "noise" (or speckly bits) in photos from pocket cameras. The camera reviewers who do this for a living always seem to forget they are reviewing a pocket camera - as they probably all have SLR's at home - and they get a bit obsessed about how the photo appears when you look up close with a magnifying glass. Surely most people simply look at their photo on their laptop/Mac/PC and go "ooh that's nice" before deciding whether to print it or not ?
Bottom line - this gives great photos that I am more than happy with even compared with my SLR (a two year old Pentax K20) - and if you want a compact/pocket camera with the ability to take great scenery or panoramic shots and then also zoom really close on things as well then this will do a great job for you. I think you'll be pleased with this as your main or secondary camera. Try not to get too hung up on specialist reviews - a compact camera is never going to give you technical quality photos of a large SLR - but you can video with it and even the newer SLR's don't do that very well - though heaven knows why not - maybe they just have a slow escalation marketing policy and are going to deliver that to the market as the desire for SLR's with video capability increases. And remember that if you wanted a whopping great SLR you'd have got a whopping great SLR.
Also - go and have a look at all the cameras "in the flesh" in a store - to see if the size suits you. There aren't any smaller camera's with this big a zoom, but there are plenty of camera's which are smaller and more pocket / handbag friendly.
IF you consider the size too big then you should definitely look at other camera's, but if the huge range zoom is just what you are looking for (like me) - then this is for you I reckon (unless you have a strong loyalty for one or other brand in particular I guess).
IF you really want lower noise on high ISO photos but don't want an SLR and still want the big zoom then do have a look around at the competition and check out the specialist website reviews.
IF you just want a nice pocket camera that gives you nice photos - but you are on a budget then you should look at the outgoing models from all of the manufacturers - but do have a look at Fuji as they have currently (March 28th 2011) some nice deals on their outgoing models which would give you good zoom and reasonable photos eg Fuji Finepix with 10x zoom 12MP photos.
And finally don't get hung up on the megapixels on a compact camera. The quality of the "glass" on the front of the camera is likely going to have just a big - if not bigger impact. Although there are exceptions - more expensive usually equals better glass. This is why getting a formerly $400+ camera which is currently being discounted due to a newer incoming model can be a worthwhile strategy - as the originally more expensive camera will generally have better quality lenses. Anything above 10MP is going to be fine 90% of the time - and more megapixels actually often means more grainy photos in darker conditions.
PS
Here's my snapshot on two good alternatives - although there are potentially important subtleties amongst them and numerous...Read more›

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Panasonic Lumix DMC-ZS8 14.1 Megapixel Compact Camera - 4.30 mm-68.80 mm - Black DMC-ZS8K Digital Cameras

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Sony Cyber-Shot DSC-TX100V 16.2 MP Exmor R CMOS Digital Still Camera with 3.5-inch OLED Touchscreen, 3D Sweep Panorama and Full HD 1080/60p Video (Black) Review

Sony Cyber-Shot DSC-TX100V 16.2 MP Exmor R CMOS Digital Still Camera with 3.5-inch OLED Touchscreen, 3D Sweep Panorama and Full HD 1080/60p Video (Black)
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Opinions:
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I bought this camera because I wanted a low profile, a slim and sleek camera, while having good picture quality.
My first opinion when holding this camera is that it is light-weight. I thought it would have a nice weight to it, like an iPhone. I can't complain, because this is probably better especially when you want to carry it in your shirt pocket and you won't look like a fool.
The sliding mechanism that covers the lens is actually a thin sheet of metal coated with your favorite camera color. I think this gives it a cheap feel, but probably contributes to its lightweight.
The OLED display is respectable. The pixel density is not like the latest DSLR camera display, the pixels are identifiable but still a good display.
I use a Transcend 16 GB Class 10 SDHC Flash Memory Card TS16GSDHC10E with this camera. Under maximum picture quality and size settings, it estimates about nearly 2800 possible pictures that can be taken (from when it was formatted). This is an estimate, usually it's more based on my experience with other cameras (the estimate adjusts as the card fills up). Picture sizes vary between 2MB to 6MB (16MP size; 4608x3456), excluding some outliers.
HD video is very good. the files are AVCHD videos, in *.m2ts files, the frame rate is smooth, and you can zoom in and out (4x optical, I disable digital zoom) while recording. One quirk about the video recording feature is that when I switch it to video mode, it automatically starts recording. And to stop recording and record again, I need touch the record-button on the screen rather than the dedicated capture button. It is possible to record in MPEG file format for compatibility, but it won't be in the highest-quality than what this camera was designed for. With this camera, you can take pictures while recording a movie, except in the highest video-quality (60p?) mode.
Taking the pictures in ideal conditions (daylight, minimal clouds), the pictures are good, but it has hardware limitations. The CMOS sensor may be "EXMOR R" (whatever advertised connotation that may be), but 16.2 megapixels on such a small sensor leaves blurry image details when viewing at 1:1 ratio. But 16MP gives you more freedom to re-size and crop your images.
The camera uses the Sony NPBN1 Rechargeable Lithium Ion Type N Battery Pack. But having such a large display (3.5 inch) and capturing HD videos and large images takes a toll on the battery life.
This camera is compatible with SD card (SDHC, SDXC) in addition to Memory Stick. 5+ years ago, I used to own 2 Sony cameras, but I switched to Canon. I did it solely because Sony only prefers Memory Stick (little competition on speed, pricing, compatibility). I'm giving Sony a chance to redeem themselves.
The 3D images are a gimmick. The image quality is reduced (and jagged) and it requires special software to view it. The included software can view it and you can connect it to a Playstation 3 to view it as well. The file format is in *.modd, and currently has limited usage outside of Sony.
The panoramic image feature is OK. It takes images in a long burst (10 images) and compiles them into a single large image, but it is jagged (like the 3D images) where the images are combined.
I picked this camera mainly because of its physical design, as well as the specs (large display, SD compatibility, HD video recording, and good auto-mode). I knew the camera has hardware limitations (Comes with all point-and-shoot. I'm spoiled by the DSLR image-quality), but I don't intend to carry a large camera (like DSLR) to parties or clubs. I want something that fits in my pocket.
This camera is targeted at non-professionals who want to take good pictures that ultimately end up on their social-networking sites. This camera is intended for people who use the auto-mode that instantaneously detects and adjusts to the most appropriate settings to take great pictures. This camera does a great job, especially in low-light conditions, such as night events.
Suggestions:
------------
Turn off GPS geotagging for privacy.
When sliding the lens-cover open and during normal operation, it's easy to touch the lens with your finger. Cloth, including microfiber, does little to remove oil and usually smears more oil onto the lens. I actually use a "lens pen" to clean it. One end has a soft brush (lens safe) and the other end has a carbon powdered-tip. Carbon is good at removing oil and you can brush off any dust after. The cap that covers the carbon-tipped end has more carbon, so you can put the cap back on, and twist it a few times to get more.

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See pictures in a whole new way with the Cyber-shot® DSC-TX100V DSCTX100V digital camera. A vibrant 3.5" OLED touch screen provides easy focus selection and photo viewing while a 16.2-megapixel "Exmor R" CMOS sensor delivers stunning low-light performance.

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Olympus PEN E-PL1 12.3MP Live MOS Micro Four Thirds Interchangeable Lens Digital Camera with 14-42mm f/3.5-5.6 Zuiko Digital Zoom Lens (Slate Blue) Review

Olympus PEN E-PL1 12.3MP Live MOS Micro Four Thirds Interchangeable Lens Digital Camera with 14-42mm f/3.5-5.6 Zuiko Digital Zoom Lens (Slate Blue)
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I've had the camera for a few days now, have been going out each afternoon experimenting with it, and so far I'm very happy with the purchase. But I think there's a lot of personal taste involved in buying any expensive camera, and you should try out several cameras "live" before buying this or any other one. I'm not going to repeat the pros and cons listed in other reviews - by and large I think others have done a good job pointing those out. I'm probably the target market - I was looking seriously at a Canon G11 or a Lumix LX3 before deciding to plonk down a bit more cash for this. I am happy with this camera because my priorities are:
- small size: I hike a lot, and want a light camera that will happily go in my backpack with lunch. DSLR's were just a little too too bulky for my taste. I really like the size of the camera, was willing to pay a bit extra for it. At some point I will probably spring for the 17mm "pancake" lens to trim it down even more. But when I have more cash. :-)
- SLR quality pictures: I was into hobby photography in school and got away from it when work got busy. I want the ability to take some nature and travel pics that can withstand some enlargement. The pictures I'm getting out of the E-PL1 are gorgeous, and I'm really excited about "taking it on the road".
- speed isn't an issue: a major complaint about the camera is that the autofocus isn't as fast as on some other cameras. For sports photography, that's probably an issue. For scenery and portraits, who cares. It's not so bad that I'd have noticed if the reviewers hadn't mentioned it, but then I'm not used to using a DSLR.
- don't care about a viewfinder - I've got astigmatism and with glasses, viewfinders are a pain. I went out shooting at sunset and intentionally shot with the sun on the LCD screen, and while it wasn't ideal,I could still work with it.
Read the reviews at dpreview, steves digicams, photographyblog - lots of good information and analysis. Frankly, I'd ignore most of the message boards and blogs, too many people getting ridiculously passionate about minutia. If you are THAT serious a photographer, this isn't the camera for you. But 95% of us AREN'T so into photography that we will sacrifice our firstborn rather than give up our allegiance to Panasonic/Canon/Nikon/whoever. So be thoughtful about your priorities, and go handle it in a store for a while. For my needs, it just fit.


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OLYMPUS 262861 12.3 Megapixel E-PL1 Pen Camera (Blue with M. Zuiko 14-42mm lens)

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Fujifilm FinePix Real 3D W3 Digital Camera with 3.5-Inch LCD Review

Fujifilm FinePix Real 3D W3 Digital Camera with 3.5-Inch LCD
Average Reviews:

(More customer reviews)
Let me start by saying I'm not necessarily a 3d enthusiast, I wasn't all that impressed by Avatar in the theater... I'm not necessarily jumping on the 3d bandwagon because it seems to be the next big thing getting pushed by TV/display manufacturers. I am, however, a PHOTOGRAPHY enthusiast. I consider myself to be a fairly seasoned photographer -- I've got a wide variety of cameras and lenses, am members of some local photography clubs... Creative photography interests me the most. For example I have interest in things like vintage camera equipment, pinhole lenses, Lensbaby lenses, Holga cameras, etc... just all kinds of creative ways to capture things that are maybe outside of the norm.
So while I think of 3d as a gimmicky trend that has been revived by the Avatar movie, I'm also a creative photographer that was very intrigued when I heard about this camera. I bought the camera sight-unseen, basically thinking it was going to be a gimmick. However after seeing the pictures it produces I honestly, truly believe it is not a gimmick and 3d photography is going to be here to stay. It may take a while to catch on, but it's here to stay.
Once you experiment with the camera a bit you'll learn how to get the most of the 3d effect. Taking photos of things that are further away (such as landscapes, distant architecture/buildings where it's difficult to get a sense of depth), the effect is more subtle and less apparent. But taking photos of things that are reasonably close to you, and there are points of interest at different distances throughout the shot (such as a forest with trees at staggered distances away), the 3d effect is much more apparent and can be quite stunning. Either way, with a subtle 3d effect for things further away, or for a much more apparent 3d effect on things that are closer, it truly does add another dimension to your photography. You see things in the photos almost the way you do in real life.
Like all things this is just another creative tool to add to the toolkit. There are lenses for certain jobs, and there are cameras for certain jobs. The images this camera produces really have to be seen to be believed. I, as well as several others I have shown the images to, am really shocked at how well the 3d looks and am still trying to wrap my head around it and when I might want to use this new tool.
Here are my pros and cons:
Pros
---
- Reasonably compact for what it is. It's more compact than I expected. Have to keep in mind it is basically 2 cameras in 1. Most of the cameras I use (SLR's) are not nearly as compact as this so this really feels like a treat to carry around.
- Battery life in my experience has been excellent. I've seen other reviews say the battery life isn't good. I've found that not to be the case. I didn't even fully charge the battery it came with and it's lasted for hours of me messing around and testing the camera out.
- The 3d effect, when used appropriately, is really stunning.
- Camera boots up reasonably quick for a compact.
- Can easily switch between 2d/3d modes, can view 3d photos in 2d, etc.
- Can do some creative 2d photography -- having both lenses using different settings for 1 shot.
Cons
---
- You have to hold the camera in a somewhat unnatural way in order to keep fingers from getting into the shots. The lenses are both on the outer sides of the front of the camera. This is a trade-off that I completely understand as they have to have the lenses apart to get the 3d effect but also wanted to keep the camera compact.
- I've had poor results when using the Macro (close-up) functionality.
- Not a fault of the camera, but until 3d is widely adopted it will be difficult to share these photos with anyone the way they're meant to be seen.
- Prints are on the expensive side at $6.99 for a 5x7 print
- Prints are only available in 5x7. I really wish there was a larger variety of sizes available. I don't expect to get gallery-sized prints, but a little bigger than 5x7 would be nice.
So is the camera perfect? No. It's obviously a new technology and is only going to continue to get better. But for where it's at right now I am really thrilled with the camera overall and that's why I gave it 5 stars. This camera really does add a new dimension to photography that has sparked a creative bug inside of me that I haven't felt in a long time.* UPDATE 10/4/2010 - I've got a couple observations after having spent a few weeks with the camera, taken some video, AND I just got my first order of prints.
Picture quality - I, like many other reviewers, have been "wowed" by the way the 3d pictures look on the camera's built in screen. I will agree with that 100%, however, being critical about the picture quality after reviewing it on a PC, it's really not that great. Don't get me wrong, the 3d effect is absolutely fabulous, but don't be fooled by the results you see on the camera's tiny display -- this is essentially 2 mediocre cameras stuffed in to 1 body. I can't say enough how cool the 3d effect is but the images on their own are on-par with about any other cheap point & shoot digital.
Video - very impressive. I took some video from the top of a waterfall (looking down). Stunning.
Prints - This is one area where I think a lot of other reviewers have not yet covered. I ordered 3 prints. They only come in 5x7 size. I tried to order somewhat of a variety of types of shots, just to get an idea of how they look on paper. I had no idea what to expect. Let me start by saying the prints come on a really thick paper, and it has those ridges on it -- you know, kinda like those scratchy 3d things where you can turn them to see 2 different images. Not QUITE the same, but pretty similar. Just due to the nature of the paper it is printed on a lot of the detail can be lost. So that said, I got 3 prints. Portrait - decent. Close-up shot - not good. Nature shot - awesome. The nature shot I took was from a bridge overlooking a river, with trees and such overhanging the edge of the river. The 3d effect was quite pleasing and I am excited about ordering more prints for this type of shot. Now my sample is only 3 prints, but perhaps this advice will serve someone else well. The 3d effect on the camera doesn't quite turn out the same way on a print for all types of shots.

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The 10.0 megapixel ccd; 720p 3d high-definition video; 3x zoom lens; 3.5" wide lcd screen; 2d & 3d high-definition shooting modes.

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